Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Friday, January 30, 2026

Juliana Hatfield – Lightning Might Strike | Album Review (VIDEO)

 

On this episode, I'm diving deep into Lightning Might Strike, the newest album from Juliana Hatfield — an artist whose voice, songwriting, and emotional directness have been a constant thread through alternative rock (and my record collection) for decades.

From moments of sharp power-pop punch to quieter, more vulnerable reflections, Lightning Might Strike feels both deeply personal and unmistakably current.

Juliana Hatfield has never chased trends—and that’s exactly why her music continues to matter. Lightning Might Strike proves that honesty, hooks, and emotional clarity don’t age out.

Wednesday, December 03, 2025

REVIEW: The Replacements "Let It Be Deluxe" Box Set / Paul Westerberg Tommy & Bob Stinson Chris Mars (VIDEO)


This week, I am reviewing the brand new 'Let it Be Deluxe' box set from The Replacements

This deluxe edition of The Replacements' classic 1984 album, Let it Be, comes just a little bit after the 40th anniversary of its initial release. Let it Be is considered by many fans to be the band's best. It was certainly a turning point in the their career.

The brand new set from Rhino Records is either a 4 LP or 3 CD collection. Both have an option to bundle in a t-shirt, but there is also an additional 10" EP that can only be bundled with the vinyl option.

I won't spoil the review by giving away too much here. However, I will say that long time viewers may be surprised this video.

Saturday, September 27, 2025

Album Review: SUPERCHUNK "Songs In The Key of Yikes" (VIDEO)


In today's video,  I am reviewing is "Songs in the Key of Yikes" from indie rock veterans, Superchunk. This is the band's first album with new drummer, Laura King, and the band doesn't miss a beat (sorry for that lame pun). 

This record is a great anecdote to the non-stop bummer that the world has become. Mac McCaughan has delivered another fantastic batch of infinitely catchy and relatable songs. Thirty-five years in the game, and showing no signs of slowing down!

Alex Williams Turns 80s Metal Into Outlaw Country | Space Brain Review (VIDEO)


Outlaw country artist, Alex Williams, is back with his third album, "Space Brain." This record is a departure from his previous work, as he covers '80s metal songs on this record. Alex gives the outlaw country treatment to songs by Ozzy Osbourne, Cinderella, Motörhead, Mötley Crüe, and many others. It's a great, new way to hear these classic songs!

Album Review: DIE SPITZ "SOMETHING TO CONSUME" (VIDEO)


In today's video, I am reviewing the highly anticipated, debut album from DIE SPITZ. The Texas punk/metal hybrid just released "Something To Consume" on Jack White's Third Man Records. 

Produced by Will Yip (Mannequin Pussy, Scowl), the new album finds the young band exploring new sounds while maintaining its core intensity.

Monday, July 21, 2025

Wet Leg "Moisturizer" Review and Discussion (VIDEO)


This week, I am reviewing the new album from UK indie stars, Wet Leg.

The band's second album, moisturizer, has just been released and the band is everywhere! I decided to do a little track by track of the album, as well as discuss some of the history behind the band.

What do you think? Is "moisturizer" better than the band's 2022 debut? What are your favorite songs on the album?

Sunday, April 28, 2024

REVIEW: Taylor Swift "Tortured Poets Department: The Anthology" // New Music (VIDEO)


Hello, friends, and welcome back to the channel. In this week's video, I am doing something I have never done at The Dark Stuff...I'm reviewing a Taylor Swift album!

I pride myself on being open minded about music, and my "taste" is not so easily defined. Sure, you could generally say I lean toward "indie" music, but I grew up on hair metal! Taylor Swift is probably the most successful musical artist of the 21st century. She's something of a cultural phenomenon. That is how I have always viewed her -- as part of pop culture. But I've never really given an extended, serious listen to any of her albums. Until now...

No spoilers, of course, other than to say that the album was not what I was expecting. If, for some reason, I accidentally call the album 'Tortured Poets Society' it's because of the movie, 'Dead Poets Society.' In my brain, I keep merging the two titles.

Saturday, March 02, 2024

Mama Zu "Quilt Floor" Album Review / Jessi Zazu / Those Darlins (VIDEO)


Hello, friends and welcome to my latest video. This week, I am reviewing the new album from Mama Zu called "Quilt Floor." This was one of my most anticipated new releases of the year because it features the final recordings from Jessi Zazu from the band Those Darlins.

Those Darlins was a band from Nashville whose mix of country, garage punk, and rock 'n roll made them one of the best new bands of the 2000s. After the band broke up in 2015, it was revealed that Jessi Darlin (aka Jessi Zazu) had cancer. She died at age 28. In between the break up of Those Darlins and her death, she and Linwood Regenburg (also of Those Darlins) recorded some music together. After Jessi passed, Linwood finished the album in her honor.

The project is named Mama Zu and the album Jessi and Linwood made is out now. As I said in an earlier video, I planned to buy this record no matter what. As a fan of TD and of Jessi, it was a no-brainer. As you will see in my review, Quilt Floor turned out incredibly well, and reminds me of why I became a fan of Jessi in the first place.

Interspersed with my review are some photos and video I shot of Those Darlins from 2011-2012.

Friday, October 06, 2023

REVIEW: Cheap Trick LIVE at The Orpheum Theater, Omaha, NE 10/3/23 (VIDEO)


 Caught the legendary Cheap Trick this week for the first time in a number of years. The band rolled through Omaha on October 3, 2023 and played at The Orpheum Theater. This was my first time seeing the band since the retirement of drummer, Bun E. Carlos, back in 2010. 

 Fortunately, Cheap Trick was the headliner at this show, as they often tour as support for other bands. Seeing a 45 minute set is just not enough Cheap Trick

 This video is filled with tons of clips and photos from the show, as well as my thoughts on the current state of the band.

Tuesday, January 13, 2015

Review: Women Aren't Funny

Caught an interesting documentary last night on Netflix called, Women Aren't Funny. The doc is directed by and stars comedian Bonnie McFarlane; and in it, Bonnie tries to answer the question (that I don't know who is asking), "Are women funny?"

To me, the answer is obvious. Yes. Of course, women are funny. Who keeps asking? Well, I guess people do keep asking because McFarlane found plenty of people (mostly male comics) who were less than certain about their answer.

This documentary is very much a comedy insiders film. One needs to be pretty well versed in the history of stand-up comedy and in the lifestyle of comedians to fully appreciate it. McFarlane splices together interviews with numerous comedians, both male and female, and all are asked if they find women funny.

Obviously, all of the female comics answered yes. As far as the male comics go, the results were mixed. Overall, I enjoyed the film, but I do question some of the editing decisions with regards to the male comedians. Many said they didn't find women to be funny. However, most all of them later qualified their comments by talking specifically about female comedians they have seen or worked with. In one example, the late comedian Patrice O'Neal said bluntly that he didn't feel women are funny. But toward the end of the movie, he rattles off a list of females he finds funny. So, his answer is less than definitive. This was the same with some others, as well.

Many of the comedians and club bookers were quick to point out that there are so many fewer female comedians than males that it is hard to accurately gauge general appeal of female comics. Former Howard Stern Show sidekick, Artie Lange, argued that most male comedians aren't funny and the same applies to women. The bookers spoke in raw numbers: fewer people come out to see female comics, therefore they get booked less. It's hard to argue with that logic, but it still shows a serious amount of sexism. If you internalize the idea that women are less funny, it is easier to come to the conclusion that it's bad business to book female comics in their club.  
In between the interviews with comics, McFarlane splices in some footage of her life off the stage. Her husband is a comedian with a higher profile, and the two often tour together. This is great from a family perspective, as it allows the couple to travel with their young daughter. However, it causes McFarlane to question whether or not she would be successful if she didn't have a headlining husband's coattails to ride. The question is not really answered.

By the end of the film, McFarlane seems exhausted by the whole process and disappointed in the results of her numerous interviews. Feeling frustrated by her lack of notoriety as a comic, McFarlane dresses up as a man (complete with a fake beard), calls herself "Barney Mac", and attempts to perform her normal stand-up routine. Would audiences like her material more if it came from a male comic? 

Well, this one was not really answered. Her set as "Barney" was not a success. The crowd was largely indifferent. A visibly distraught McFarlane can be seen crying after the disappointing set and seeking consolation from her husband. I don't think this experiment was all that illuminating because McFarlane looked like a woman in drag and didn't have a very masculine voice. No idea if people suspected she was a woman dressed as a man, but she certainly did not seem like a "normal" man. However, because good a comedian's material is so tied into a person's true self, could this experiment ever work? By definition, while dressed as "Bernie," McFarlane was not being her true self, and the material suffered from that.

Sidenote: I have seen Bonnie McFarlane do stand-up on Comedy Central and she is very funny.

At this point in time, it is sad that questions like, "Are women funny" even need to be asked. I mean, have you not heard of Joan Rivers, Roseanne, Sarah Silverman, Amy Schumer, Laura Kightlinger, or Chelsea Peretti? That's only the first six I could think of off the top of my head. The list is much longer.

If you still, in 2015, question whether or not women are funny, you may not be persuaded by watching this film. But I think that shows more of a subconscious resistance to female comics than any demonstrable fact about women's ability to be funny. Unfortunately, the whole world of live improv was ignored. Many of the most famous funny females (i.e. Tina Fey, Amy Poehler) were very successful in that world. It's not traditional stand-up comedy, but it is comedic live performance, and many of the top women in TV comedy come from that world.

Overall, Women Aren't Funny is a decent film and definitely worth watching. And, if Bonnie McFarlane makes her way to Omaha, I would definitely go out and see her perform.


Wednesday, January 26, 2011

On the Turntable: Cold War Kids, Tapes 'n Tapes, Anniversaire

Cold War Kids - Mine Is Yours (Downtown/Interscope)

Cold War Kids' music has always confused me. It has been able to do so by brilliantly (and probably by accident) straddling the line between indie and mainstream rock. Millions of bands have tried, but few have succeeded at doing this. And really, if you remove R.E.M. and early U2 from the equation, I can only think of Weezer, Arcade Fire and The Shins who have. Lead singer Nathan Willett has a voice genetically created to sound good on the radio, and he could sing in nearly any type of group. He has a broad range that can hit the highest of high notes, and he utilizes his instrument very well. The fact that he performs with a quirky, stripped down, and sometimes spastic indie rock band is both the essence of CWK's unique sound, and of my general confusion about the band.

For its third album, Mine Is Yours, the band continues with the basic sound that has been working for them over the last few years. There are brief flirtations with different instrumentation - like the electronic elements on "Sensitive Kid" - but the song still sounds like Cold War Kids. There's no click tracks or studio trickery on a Cold War Kids' record, it's still just four guys in a room playing. Willett's lyrics sound deep, and they may very well be, but I can't make heads or tails of most of it. I like the way the words sound together, and I'm leaving it at that.

This is likely to be the year Cold War Kids break out in a big way (think R.E.M.'s Document from '87). The band has delivered an album that remains true to its origins and past work without repeating itself; and is presenting it with enough "production value" to make it work on the radio. (3 1/2 out of 5)

Tapes 'n Tapes - Outside (ibid)

The Minneapolis band Tapes 'n Tapes may be on the cusp of doing something that many, including myself, thought was impossible...making Minneapolis music relevant again. The city's glory days were the 1980s, when The Replacements, Prince, Hüsker Dü, Soul Asylum, et al. made Minneapolis the most exciting music scene since New York in the early 70s or London in the late 70s/early 80s. However, the scene has not been producing greatness at those levels for nearly two decades (exempting the Twin cities excellent hip-hop scene). Let's hope Tapes 'N Tapes are beginning of a new era for twin cities music, because the band's new album, Outside, is freakin' excellent and deserving of a wider audience.

I've been listening to the odd indie rock of Tapes 'n Tapes since its debut album back in 2006, which contained an ode to the music of my hometown, "Omaha." The band's sound incorporates healthy doses of bands like Pavement and Sebadoh, but mixes it with quirky rhythms and sometimes spastic vocals, a la David Byrne on early Talking Heads' records. The mix between the band's lo-fi sensibilities and their desire to have a thicker, fuller sound on record is realized to a much greater extent on Outside than on the band's disappointing second album, Walk It Off. It seems the extra time between albums for Tapes 'N Tapes did the band a world of good. Hell, the vacation would have been worth it for the essentially perfect song, "Freak Out," alone, if you ask me. The more I listen to these guys the more I want to listen to them again. (4 out of 5)

Anniversaire - Nightingale (self released)

Anniversaire is a new Omaha band whose complicated brand of indie rock eschews guitar for cello, trades synths for an actual piano, and adds yet another layer to the already diverse Omaha indie music scene. Each tune on Nightingale sounds epic. They generally start slow, with singer Aaron Jordan's soft, high pitched voice (which often reminds me of Jeremy Enigk) barely getting the words out; by mid song, it will erupt and turn into a whole other animal, with drums and cello wailing and crashing like mad. The album's second track, "Every Line of Your Hand" is as good an example of the "Anniversaire sound" as one can find.

I like where these guys are going, but I'm not sure they are quite there yet. I did find that some of the songs seemed to blend into one another; and after listening to the record a number of times, I am still having trouble remembering which were my favorite songs and which ones just sounded like my favorite ones. (Side note: "Tele-visions" is my actual favorite track) For a debut album by a relatively unknown band, one can't help but be impressed with Nightingale. (3 out of 5)

I Finally Crossed Joe Jackson Off My Bucket List! My Review + My (Incomplete) Collection (VIDEO)

This week, I crossed one off the ol' bucket list!  For years, seeing Joe Jackson live was one of those concerts I hoped would happen so...