MAHA Festival '25: PIXIES, WAXAHATCHEE, MAGDALENA BAY, BAND OF HORSES, more / ALL ACCESS (VIDEO)

This week, I am reviewing the return of the MAHA FESTIVAL. Maha is an indie music festival that takes place every year in Omaha. Except for 2024, when it took the year off to re-organize.

This year, the festival was moved to downtown Omaha, and took place at the Heartland of America Park. The park is situated next to the Missouri River. There was a great crowd, the weather cooperated (for the most part), and every band was spectacular.

This year's line-up:

PIXIES

WAXAHATCHEE 

BAND OF HORSES

MAGDALENA BAY

SILVERSUN PICKUPS

LITTLE BRAZIL 

I have photos and video of all the bands that played.

My Roadtrip to see Vicki & Debbi of The Bangles / Belly / Letters To Cleo / Silversun Pickups (VIDEO and PHOTOS)

This is my vlog or whatever of my roadtrip to see Vicki & Debbi Peterson of The Bangles. THE BANGLES!! Are you effing kidding me?! Wow! This was a fun weekend, my friends.

I drove seven hours to Wisconsin to see one night of the Freezing Man Festival in Madison. This festival is four day event that raises money for Joey's Song (https://www.joeyssong.org/) which is a non-profit that is trying to raise awareness and find a cure for kids with epilepsy.

Honestly, I had no idea about the organization, the venue, the festival...nothing. All I knew was that 2/3 of The Bangles were playing together, and I needed to be there! As a nice bonus, Belly, Letters to Cleo, and Silversun Pickups were also on the bill. I can now cross Belly off my bucket list.

Despite the long drives, this was a great weekend. I hope you enjoy the video and the photos below.

Belly played first

Tanya Donelly of Belly

Letters To Cleo played second

Gail and Tanya of Belly and Vicki Peterson (Bangles) joined LTC on stage

Debbi & Vicki Peterson and Friends

Debbi (left) and Vicki Peterson of The Bangles along with Tanya Donelly

Weekend Wrap Up

Silversun Pickups Des Moines, IA 9/19/09

As predicted, I had quite the hectic weekend. I did end up skipping the Silversun Pickups' Omaha show, and caught them instead in Des Moines, IA (about two hours away). The venue there, the Hoyt Sherman something or other, is really nice. It is an old mansion that has been converted into a 1200 seat theater. I spent the entire day with the production folks, and caught most of the show from the side of the stage (as you can see in the above photo). Silversun was excellent, as was opener Manchester Orchestra. The first opener, Cage The Elephant, had a ton of technical issues during their set, but it didn't seem to keep them down. They had an energetic show, but I wasn't really feeling the music.

Eugene and Carla of Autolux 9/20/09 @ Waiting Room, Omaha

After sleeping in really late, I spent most of Sunday gearing up for the Autolux show (and watching episodes of The Wire which I have just now discovered, but that's for another post). I pre-taped my radio show so I would be certain to catch all of Autolux's set. But the band wasn't scheduled to go on until 11, so I was able to listen to some of it. Weird hearing myself on the radio. ANYWAY...I rolled into The Waiting Room around 10 and caught Capgun Coup. I've always had mixed feelings about that band, and last night they were pretty bad. It almost seemed like that was their intent.

Greg Edwards of Autolux 9/20/09 @ Waiting Room, Omaha

As for Autolux, they were better than I had remembered. And louder. I think I lost a bit of hearing just getting close enough to the stage to snap these pics! The set was comprised of about half songs from the old album, and half from the forthcoming album (still no word on when that will be released). The new stuff sounded fantastic. Besides being blown away by the angular guitar stylings of Greg Edwards (who I've liked since his tenure in Failure), I was really impressed with drummer Carla Azar. She also sings some of the quieter songs, which seemed to always come at just the right time. The set was paced very well. Truth be told, the voices of bassist/vocalist Eugene Goreshter and those of Azar are pretty similar (Eugene has a high voice), so it really doesn't matter who is singing.

I just wish this band would get their shit together and get that new CD out. Waiting five years between albums for a relatively unknown band could be career suicide. Autolux is so amazing, I'd hate to see their career ended before it really had a chance to start.

Three (Maybe Four) Big Shows Coming Up in the Next Week

These next five days are going to be a bit on the crazy side for me. There are three must-see shows, and one that is a "probably will" see, but that will depend on how fast I recover from the others. Let's give quick run down:

Tonight brings the return of LA's Silversun Pickups to Omaha. Last time, they played at Slowdown, but this time, the band plays in the larger Sokol Auditorium. Opening the show are Manchester Orchestra and Cage The Elephant. As of now, tickets are still available for $25.

Despite the band playing here in Omaha, I think I'll be hitting Des Moines for tomorrow night's show instead. I've never been a fan of Sokol, but regardless, it's cool to see bands in unfamilair places. Saturday's show is at the Hoyt Sherman Place. The line-up and cost are the same.

As much as I love Silversun, frankly, I am way more excited to see Autolux on Sunday night at The Waiting Room. I've only seen this band one time, about five years ago. They were touring in support of their debut (and still only) album, Future Perfect. After five years of only having one record, I am not even remotely sick of it. It's easily one of the best albums of the last decade. It's that good. If you live in Omaha, I command that you go to this show. I even pre-taped my radio show so I could be there.

The one show that I might have to miss (depending on my condition after Sunday night) is Monday's Phoenix show. I'd like to go. The band's new album, Wolfgang Amadeus Phoenix, is really good, catchy, fun indie pop. But I'm willing to miss it if I am not sufficiently rested. The show is already sold out, so if you don't have a ticket, you're SOL.

Last, but certainly not least, is Wednesday's Built To Spill show at Slowdown. I've seen BTS about a dozen times, but I always make it a point to see them every time they tour. It is hard to describe how great this band can be in concert. Last time I saw them, in 2007, it was one of the best shows of theirs I've ever seen. Tickets for the show on the 23rd are still available for $20.

Silversun Pickups Re-Cap

All things considered I was pretty impressed with the Silversun Pickups show last night at Slowdown. I wasn't "blown away" by the show or anything, but I was impressed with the band's enthusiasm and musicianship. The band seemed to be having a genuinely good time, and the audience was among the most enthusiastic I have seen in Omaha (a town notorious for mediocre crowd response). I missed all but the last song from openers, Sea Wolf. I heard they were good, though.

I was fortunate to get my little VIP spot in the balcony which is the only place to see a show at Slowdown as far as I'm concerned. The floor is for suckers. As usual, I took my crappy cell phone picture of the event, but if you want to see some great photos from last night, check out Omahype's photo page of the event here.

The Wait Is Over - Silversun Pickups TONIGHT!

I have been talking about them and playing them on my show for over a year. I picked their album, Carnavas, as the best album of 2006. Now, I will finally be seeing Silversun Pickups in concert. I have pretty high expectations for tonight's show at Slowdown because I have personally been hyping them so much. The show is sold out, so if you don't have a ticket you are SOL. Oh well, you should have gotten on that much sooner anyway.

As previously mentioned, this will be my third night out in a row. Neil Hamburger was great last night, but not as good as the first time I saw him. I think his whole routine is funnier when you have no idea what to expect. This time, I knew what I was getting.

I am so freakin' tired that I'm basically running on fumes at this point. I am interviewing Matt Sharp from The Rentals in about an hour, and I have barely prepared. This has been one helluva week. I guess I'll just have to hook up an IV of Red Bull and just plough through it.

TiVo Alert!

Lots of good music on TV this week:

TONIGHT on Jimmy Kimmel (ABC) is Silversun Pickups.

Wednesday night on David Letterman (CBS) is Son Volt.

Friday night on Henry Rollins (IFC) is Ryan Adams.

Saturday night on Saturday Night Live (NBC) is Björk (whose new single "Earth Intruders" is quite good, btw).

Podcast #9 Available Now

Whew! I squeaked it in just before New Years. Podcast #9 is the continuation of the last one, and essentially the audio version of yesterday's posting. My Top 10 Albums of 2006...Enjoy.

Download this show.

Listen to this show.

Subscribe via iTunes.

Dark Stuff's Top 20 Albums of 2006 (Part Two)

Here is the second half of my Top 20 Albums of 2006 (part one). Check back soon for the second "best of" podcast.

10) BETTIE SERVEERT - bare stripped naked (Minty Fresh)
I cannot think of a single artist in the history of popular music that has re-recorded their own songs and made them better. It would seem that the first way is always the best way; and why would someone want to re-record their own songs unless they have dried up creatively? Well, an exception to the rule has emerged. Holland's Bettie Serveert has assembled a new collection called bare stripped naked that merges new, "stripped down" versions of some of their older songs with a few new ones thrown in for good measure. The song choices are not the ones you might expect. They didn't re-record their best known songs; instead, they brought new life to some lesser known album cuts. Carol Van Dyk's voice has never sounded better, and these new arrangements of the older songs are a real treat. The first time I ever heard this band back in 1993, I described them as "Chrissie Hynde (Pretenders) singing with Crazy Horse (Neil Young's band)." Well, that sort of describes it, but I think Carol has a better voice than Ms. Hynde. The CD comes with a DVD which features an entire concert from Holland, and the standard backstage shenanigans that are always included in any music DVD. Stand Out Tracks: "Hell = Other People" "Roadmovies" and "What They Call Love"

Artist My Space Page: www.myspace.com/bettieserveert
Official Website: bettieserveert.com

9) THE BLACK KEYS - Magic Potion (Nonesuch)
When music historians look back on the early part of the 21st century, there will be no other blues band to discuss other than The Black Keys. This Ohio duo (just drums and guitar) has been making some of the most intense, raw, no-nonsense blues of the last decade or so, and with their new album, Magic Potion, they have perfected their craft. This band has more great riffs per song than any Zeppelin or AC/DC record, despite not being a hard rock band. While most of the The Black Keys audience are indie rock fans, and not traditional blues fans, those into old school blues should take a look at this band.

The Black Keys clearly understand both the rich history and traditions of the blues, but are not tied down by many of the genre's lyrical cliches. The band presents its stripped-down, thudding blues with an eye on the contemporary. On this record, guitarist Dan Auerbach's voice sounds as deep and hurting as any 80 year-old Delta bluesman. Hard to believe that it comes in the form of a barely 30 year-old guy from Ohio. It really is a magic potion. Stand Out Tracks: "You're The One" "The Flame" and "Your Touch."

Artist MySpace Page: www.myspace.com/theblackkeys
Official Website: theblackkeys.com

8) TV ON THE RADIO - Return To Cookie Mountain (Interscope)
I have absolutely no idea how to describe the music of Brooklyn's TV On the Radio. I really don't. So much of their sound is based on the mood or atmosphere that they create, that it is impossible to talk about this band's music in traditional terms. Pitchforkmedia opened its 9.1 out of 10 rated review of the record this way, "Often when we say a record has 'atmosphere,' we mean it as a put-down. From Sgt. Pepper's to the present, a record's sonic appeal-- the effects, the mood, the spaces between the notes-- is inextricable from how it hits us. But when an artist pushes atmosphere in place of songs, it's frequently thought of as a crutch. Most listeners don't trust a mood to grab their hearts the way they trust, say, a human voice; nobody counts on production to deliver the 'money note.'"

Return To Cookie Mountain is an almost wholly original take on pop music. Deep down, beneath all those layers of samples and noise, there are pop songs there. You just have to let the band take you there in a different way. This is the type of album that will likely be discussed 10 years from now as being the beginning of a whole new sound or movement. Check back with me in a decade so I can say "I told you so." David Bowie also makes a guest appearance on the album. Stand Out Tracks: "I Was A Lover" "Wolf Like Me" and "Let The Devil In"

Artist MySpace Page: www.myspace.com/tvontr
Official Website: tvontheradio.com

7) NEKO CASE - Fox Confessor Brings The Flood (Anti)
Someone I know really well said a few months back that, if he could, he would merge Neko Case's voice with Jenny Lewis' (see #5) lyrics to make the perfect artist. I know exactly what he means. Not that there is anything wrong with Neko's songs or Jenny's voice (they are both quite excellent), but could you imagine how unbelievable it would be to merge the two together?! Setting that aside, the newest CD from Neko Case shows her continuing to progress by leaps and bounds. Her voice is already a thing of perfect beauty, so there is no need to mess with that. Her songs on Fox Confessor are deceptively simple sounding. It is very easy to say they sound like "classic" country music. Patsy Cline is often referenced when talking about Neko Case.

While that is a good reference point, it does not really touch her very literary lyrical style. This new album is almost like a collection of short stories. Each song has its own set of characters, and takes place in a different location. While that might leave the listener with a sense of detachment from the artist (since she is not clearly referencing her own experiences), Neko's voice is so great and her singing so intimate, that she makes the connection in a different way. I certainly cannot say that I always understand where she is coming from lyrically, but I can always "feel" what she means. Stand Out Tracks: "Maybe Sparrow" Hold On, Hold On" and "Margaret vs. Pauline"

Artist MySpace Page: www.myspace.com/nekocase
Official Website: nekocase.com

6) WE ARE SCIENTISTS - With Love and Squalor (Virgin)
Is it a bad thing to call a band "new wave" in 2006? If it is, then I apologize to We Are Scientists, but I am at a loss as to how to describe this NYC band. Their songs are short, catchy, and full of sarcastic lyrics (think early XTC crossed with Buzzcocks). This band has attitude to spare. I have to give the band points for the album cover (I like the three cat design) and for their "unique" fashion sense. I'm sure these guys were part of the pocket protector crowd when they were younger. Regardless, this album breezes by very quickly (no time to get bored with the band), and you will find yourself singing along by the second listen. I don't know how long this band will last, or if this will be their one and only stab at the mainstream. Either way, We Are Scientists have crafted the best pop-punk record of 2006, without question. Stand Out Tracks: "This Scene Is Dead" "Nobody Move Nobody Get Hurt" and "It's a Hit."

Artist MySpace Page: www.myspace.com/wearescientists
Official Website: wearescientists.com

5) JENNY LEWIS WITH THE WATSON TWINS - Rabbit Fur Coat (Team Love)
I have never considered myself much of a Rilo Kiley fan. Sure they have had a couple of good songs -- even a great one with "Portions For Foxes." But I never really connected with the band, nor its singer, Jenny Lewis, until now. Jenny has set aside the electric guitar and the indie pop that has been so successful for Rilo Kiley, and crafted a set of songs that crosses early 1960s country with gospel music. Though they sound, superficially, like they could pass for something on a Nashville radio station circa 1962, the lyrics to the songs on Rabbit Fur Coat would never have made it to the Grand Ole Opry. Lewis' songs are often confessional, first person narratives about her struggle to make it today's world despite all of the ugliness that can often be found by simply opening your eyes.

Jenny compliments the overall feel of the record with the addition of The Watson Twins -- gospel singing, identical twin sisters. The Twins add such an authentic gospel feel to the songs that it's almost comical when you realize they could be singing a song called "Born Secular." Though I would probably give a slight edge to Neko Case in a contest over who has the better voice, I defintely feel I can relate much more to the songs of Jenny Lewis. I really like her direct style, and sometimes I even get a little verklempt when listening to her sing them. Jenny also does a great cover of Traveling Wilburys' "Handle With Care" and has Conor Oberst (Bright Eyes) sing Dylan's part on the song. Stand Out Tracks: "Rise Up With Fists!!" "The Charging Sky" and "You Are What You Love"

Artist MySpace Page: www.myspace.com/lewiswithwatsons
Official Website: jennylewis.com

4) THE FAGS - Light 'Em Up (Idol)
This is a record that should have made the Best of 2005 list. However, due to the general shittyness of the current crop of executives at Sire Records, Light 'Em Up, the first full-length CD from Detroit rockers The Fags, was shelved. More than a year-and-a-half after its initial scheduled release, the CD is finally available via Idol Records. Better late than never is all I can say. This album picks up where their 2002 EP left off (in fact, most of that record has been re-recorded for the new album). The Fags have perfectly melded 70s hard rock with 80s Midwest college rock, and they have described their sound as "power pop with balls." Think of a cross between Cheap Trick and The Replacements. If that sounds good, then you will love this CD. This kind of music should be all over the radio. Sadly, that is not the case. Stand Out Tracks: "Rockstar" "Back of the Line" "Light 'Em Up."

Artist MySpace Page: www.myspace.com/thefagsmusic

3) THE LEMONHEADS - The Lemonheads (Vagrant)
Evan Dando's Lemonheads were only gone for ten years, but they are approaching their "comeback" in the right way (take note Pixies). Rather than simply doing an oldies tour that focuses on the band's past, Dando chose to give the ol' Lemonheads name a "present" first. The Lemonheads have been solely Dando's baby since 1990, and he had a revolving cast of players with him until the breakup (or retirement of the Lemonheads moniker) in 1996. For this version of the band, Dando brought in Karl Alvarez (Descendents, ALL) and Bill Stevenson (Descendents, ALL, Black Flag) for bass and drums, respectively. The trio rocks with serious conviction on every track on the new album. Bill Stevenson even wrote two songs on the album, and one of them is my favorite track ("Become The Enemy").

I think it was pretty bold for The Lemonheads to return with an album rather than go the nostalgia route, and that boldness has definitely paid off. The Lemonheads is a better album than some from the band's mid-90s heyday -- it is certainly more consistent than say, Car Button Cloth. Unfortunately, this record, and the entire return of The Lemonheads seems to have been largely overlooked by the music media. That is a real shame; because creatively, The Lemonheads have set the bar pretty high for any other bands of that era considering a reunion. I'd like to see who can do better. Stand Out Tracks: "Become the Enemy" "Let's Just Laugh" and "No Backbone"

Artist MySpace Page: www.myspace.com/thelemonheads

2) SONIC YOUTH - Rather Ripped (Geffen)
Sonic Youth is easily the most consistent band in the history of rock. For a band that is often described as "experimental," that would seem like a contradiction in terms. Though Sonic Youth has experimented with noise and feedback throughout their career, after 25 years of making music together, they have honed their sound to such a degree that it is now instantly recognizable as theirs. Like Ramones or Motorhead, Sonic Youth's songs can "all sound the same" to the untrained ear. But for those that listen a little harder, the amount of subtle difference is mind-blowing.

Over the course of the last two or three albums, Sonic Youth have slowly been perfecting the pop elements of their sound. That perfection has now been achieved with Rather Ripped. For Thurston Moore, this album is especially strong. Thurston has always sung on the most "traditionally melodic" Sonic Youth songs, and on Rather Ripped's "Incinerate" and "Do You Believe In Rapture?" he has crafted the most radio ready songs of the band's career. That should not be seen as a dis. It isn't. You and I know that Sonic Youth will never be played on the radio. But radio no longer has any legitimate excuse for refusing to give this band airplay. This is a great album for longtime Sonic Youth fans, and it is also a great place to start for those unfamiliar with this legendary band. Stand Out Tracks: "Rats" "Do You Believe in Rapture?" and "Incinerate."

Artist MySpace Page: www.myspace.com/sonicyouth
Official Website: sonicyouth.com

1) SILVERSUN PICKUPS - Carnavas (Dangerbird)
So, here we are at #1. Finally. The band at the #1 spot was completely unknown to me at the beginning of 2006, yet they were able to leap past longtime favorites like Sonic Youth, Yo La Tengo, and Bettie Serveert with their stunning new album. Silversun Pickups have been plugging away in the Silverlake section of Hollywood for years, slowly refining their sound through constant trial and error. With Carnavas, they have been able to create a stunning collection of songs that perfectly blend the best elements of classic 90s bands like Smashing Pumpkins, Radiohead and My Bloody Valentine. Silversun Pickups are not merely mimicking those bands, they are picking up where those bands left off and running with it. These guys (and gal) create huge and epic rock music: the songs are long, the production is dense, and the playing is spectacular. Their only modern peers in this style are Autolux.

I am embarrassed to admit this, but when I first heard Silversun Pickups, I thought they had a female singer. Brian Aubert's voice is a little high, and somewhat processed, but I felt pretty stupid once I saw the band's video. I have a feeling that Silversun Pickups are going to explode in 2007-2008. There doesn't seem to be anything stopping them. The buzz is enormous at this point, and it is growing rapidly. Buy this album now so you can tell people how much cooler you are for having picked it up first. Stand Out Tracks: "Well Thought Out Twinkles" "Lazy Eye" and "Little Lover's So Polite"

Artist MySpace Page: www.myspace.com/silversunpickups
Official Website: silversunpickups.com

Silversun Pickups Tour with Wolfmother

I think it's pretty safe to say that Silversun Pickups are my favorite new band. The LA shoegazers have just announced more dates on their tour for the new CD Carnavas. Opening the shows will be Portland band Viva Voce. They are also going to do a stint as opening act for retro rockers Wolfmother. Nice.

September 29 - Visalia, Calif. @ Howie and Sons
September 30 - Los Angeles, Calif. @ The Echo
October 1 - Phoenix, Ariz. @ Modified
October 3 - Austin, Texas @ Emo's
October 4 - Norman, Okla. @ Opolis
October 5 - Springfield, Miss. @ Randy Bacon Gallery
October 7 - Urbana, Ill. @ Courtyard Cafe
October 8 - Newport, Ky. @ Southgate House
October 10 - Arlington, Va. @ Iota Club and Cafe
October 11 - New York, N.Y. @ Mercury Lounge
October 12 - New York, N.Y. @ Mercury Lounge
October 13 - Philadelphia, Pa. @ Johnny Brenda's
October 15 - Cambridge, Mass. @ Middle East Upstairs
October 16 - Rochester, N.Y. @ The Bug Jar
October 17 - Toronto, Ont. @ Lee's Palace
October 18 - Akron, Ohio @ The Lime Spider
October 20 - Chicago, Ill. @ Empty Bottle
October 21 - Ames, Iowa @ Maintenance Shop
October 24 - Denver, Colo. @ Hi Dive
October 26 - Boise, Idaho @ Neurolux
October 28 - Portland, Ore. @ Doug Fir Lounge
November 2 - New York, N.Y. @ Piano's (CMJ/Dangerbird Records Showcase)

SILVERSUN PICKUPS ON TOUR WITH WOLFMOTHER:
November 21 - Philadelphia, Pa. @ Electric Factory
November 22 - New York, N.Y. @ Hammerstein Ballroom
November 24 - Detroit, Mich. @ Majestic Theatre
November 25 - Chicago, Ill. @ Riviera Theatre
November 26 - St. Louis, Mo. @ Mississippi Nights
November 28 - Houston, Texas @ Meridian Theatre
November 29 - Dallas, Texas @ Gypsy Ballroom
December 2 - Portland, Ore. @ Roseland Ballroom
December 3 - Seattle, Wash. @ Moore Theatre
December 4 - Vancouver, BC @ Commodore
December 7 - Las Vegas, Nev. @ The Joint

Tag: Silversun Pickups

Some Really Good New Music

Birdmonster - This San Francisco band's debut album No Midnight (buy it) has just been released by the generally reliable label SpinART. The band has been getting comparisons to XTC, The Clash and The Jam. I think it's safe to say that the band has heard some Replacements or Soul Asylum in their lifetime as well. Decent stuff. There is a free download of the band's song, "Cause You Can," along with a small article here.
I am so completly shocked to be saying this, but the new New York Dolls album, One Day It Will Please Us To Remember Even This (buy it), is actually really good. After being gone more than 30 years, and with three out of the five original members being dead, I was uncertain how this could really be a good thing that the band was "back together." Guitarist Johnny Thunders was such an integral part of the band's sound and attitude, that it almost seems impossible to have The Dolls without him. But since he's been dead for 15 years, that is the only way they can be at this point.

The album is full of dirty, Stonesy rockers, and the songs' lyrics are loaded with lead singer David Johansen's cynicism and bizarre wit. He's not the same guy now that he was in 1973, and he's not claiming otherwise. There are no free downloads, but there are lots of cool vintage video clips of the original New York Dolls at the band's website.
The last pick for today is from Los Angeles' Silversun Pickups. The band's new album Carnavas (buy it) should be picked up by anyone who thinks a cross between Smashing Pumpkins and My Bloody Valentine sounds like a cool band. The more appropriate comparison is Autolux rather than MBV(due to the band's atmospheric vocals), but if you like one, you probably like the other, too. Rather than simply meander in and out of the sheets of feedback and noise, Silversun Pickups rock out like the Smashing Pumpkins when they were great (think Gish). I've only been listening to the record for a few days, but I am loving it so far. The first single, "Well Thought Out Twinkles," is stellar. The song can be streamed at their website or on their MySpace.

Tag: New Music